For filmmakers, the city of San Francisco boasts unique, come-hither looks
Or as Don Johnson put it, when asked about the advantages of filming Nash Bridges on location in San Francisco: "No bad angles."
In any event, this is the second in a three-part series in the San Francisco Chronicle on San Francisco movie history:
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/04/17/MV3S16T1LI.DTL&hw=city+boasts+unique+come+hither+looks&sn=001&sc=1000
In any event, this is the second in a three-part series in the San Francisco Chronicle on San Francisco movie history:
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/04/17/MV3S16T1LI.DTL&hw=city+boasts+unique+come+hither+looks&sn=001&sc=1000
Posted by TV Confidential at 4/17/2009 12:29 AM 
Categories: film history, classic films, classic television
Tags: humphrey bogart george stevens james stewart steinhart aquarium maltese falcon playland at the beach nash bridges famous mirror sequence lauren bacall st. francis hotel richard basehart joseph cotten kim novak pal joey valentina cortese spreckels doa alfred hitchcock shadow of a doubt telegraph hill i remember mama robert wise san francisco movie history frank sinatra george sidney rita haywoth art deco the house on telegraph hill orson welles irene dunne dark passage vertigo ferry terminal don johnson edmund o'brien
Categories: film history, classic films, classic television
Tags: humphrey bogart george stevens james stewart steinhart aquarium maltese falcon playland at the beach nash bridges famous mirror sequence lauren bacall st. francis hotel richard basehart joseph cotten kim novak pal joey valentina cortese spreckels doa alfred hitchcock shadow of a doubt telegraph hill i remember mama robert wise san francisco movie history frank sinatra george sidney rita haywoth art deco the house on telegraph hill orson welles irene dunne dark passage vertigo ferry terminal don johnson edmund o'brien
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